![]() ![]() As regards Mozart, we know why he didn’t finish Requiem. What’s more, no one apart from Bach could actually compose triple fugues in music history. Bach must also have admitted that quadruple fugues are not to be composed. We’ve mentioned some time earlier (our frequent guests might remember) that that fugue couldn’t be finished. We love treating these topics: if for instance Bach really “died in” that very quadruple fugue in The Art of Fugue or if he couldn’t simply finish it. Swan-songs always state interesting questions. ![]() This piece is the swan-song in Bartók’s life work. 3 we encounter with an airy and simplified composition. It’s quite difficult to play that really well. 2, that is sensibly much more filled with strife for both the pianist and the orchestra. 3 is a light, feminine work, as he composed it for his wife, and not any moment lets us forget about this fact. The mechanism of composing for something, for somebody or for some occasion was always inherent in his life, though this could never be felt in his works. Bartók worked on assignment on several occasions. Bartók composed this piece for his wife Ditta Pásztory, which is an interesting combination of an evidently original and ad hoc intention. 3 is a feminine work, from several aspects. Still, in Bartók’s piano concerto she was really unbeatable.īartók’s Piano Concerto No. ![]() 3 left some fadeless memories in me, though her Mozart performance was also unforgettable. The way she interpreted Bartók’s Piano Concerto No. On these occasions I always rely on my personal memories when I have to choose a piece. She was one of the most significant world-famous pianists of the ‘50s-‘60s. Today actually to Annie Fischer who would be 100 years old this year. ![]() This year our entire Understanding Music will be devoted to the memory of great Hungarian musicians. Very warm welcome to the first concert in this year’s series of Understanding Music. This journal follows ISO 9001 management standard and licensed under a Creative Commons Attribution 3.0 License.Cosmopolitans of the Hungarian music life: Annie Fischer Please add our address into your email contact list. Please contact the administrator of this platform. Beethoven, Piano, Concerto, Theme, Analysis In the light of these, it is aimed that this study will be a guide for musicians who want to learn about the concerto and improve themselves in this field. Concerto was analyzed in line with his innovative approaches, which are more evident especially in his second period works covering the years 1801-1814 therefore, thematic mastery, which is clearly predictable, was analyzed. In this study, unique personality of Beethoven and its reflection on his music are discussed based on Op. ![]()
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